The burgeoning pop career of Chelsea Lankes is one which has provided diversified efforts to date, enabling the rising pop starlet to splash a variety of colour in an arena of music genre which fights for its credibility.
The road to establishing herself as an artist along the way has been paved with some of the dewiest moments of melodically dreamwoven pop attitude such as in “Ghost”, “Home” and “Down For Whatever”.
In moving forward however, it’s time to breakaway from all that has served Chelsea well and expand upon these foundations.
And so, stretching into her pop chops more than ever in a while, stateside residing up-and-coming artist Lankes locks in a strapping performance engineered of a synth heightened framework supporting her honeyed drenched vox on current focus effort “Bullet”.
Essentially “Bullet” has been written as an assisted kiss-off to one of her once previous amours, but in bringing him down Chelsea is certainly going about it an, oh so jaunty pop style, which is altogether rather 80’s poptacular.
Anyways it has brought Chelsea Lankes up from under and onto my electro-pop radar so to speak. As it’s fair to make comment “Bullet” steams in with bucketfuls of boptastic allure, in pretty much the same go to quantity as my up-and-coming pop discoveries subjects Alexx Mack and Frankie, in whom I consider to be her most matched compatriots in new emerging pop hopefuls.
That all said, Chelsea is really all the more, reeling me in with this one which manages just enough to shy away from full-on saccharine overload.