BOA
Let the introductions roll-on relative newcomers BOA, who have twice plucked the air with their wafting, dreamily led electronic pop.

It maybe considered to be early day’s for this Bristol-via-London outfit, yet since arriving on the scene only in the past few months, their presence is increasingly being felt as a new pop concern to closely keep an eye on.

Playing into an organic indietronic vibe, BOA planted their roots down with a transcendentally, hazily envisaged debut by way of soothingly attentive marker release “Holier”. Bringing about a swirl of synths inter-mingled with breathily steeped vocals which are radiantly accentuated with plucky strung guitar jabs, to which the trio anointed their mellifluously flowing groove with some lasting impression.

Following up on the initial charge “Right Place, Right Time” see’s the band pad out the pristine edges a little, blurring the crystalline formed lines which first came bounding out carrying a fully fledged esoteric aura, now exchanged with tropically balmy hues of synth ignited chill-wave presence this time around.

A cocktail of otherworldly meets nocturnally seductive dancefloor focus, lit by polished execution and headily rhythmic definition.

Among the indie-pop stance BOA are filtering out sultry summer pop vibes that are baked of white-island reflective searing sunshine and which sound off as being quite hypnotically evocative.

Forget the Ibitza banger, this year the accent is firmly on chill and BOA are out the gate early on it. From here it can only build.