Clavvs 3

There is a plentiful supply of sonically alluring electronic pop acts breaking out right now, as the trend for such has gripped in tightly during the last couple of years. Setting yourself apart from the growing head-count of these similarly discerning acts though requires skill and creative thought through-out.

Atlanta based duo CLAVVS started out much is the way of many by facilitating a lushly involved thread of sound for themselves which takes onboard a hauntingly extending atmosphere. This forms the basis of CLAVVS material from where everything grows, and over the past few months the duo consisting of vocalist Amber Renee and four-time Grammy award-winning producer Graham Marsh have grown out their sound to a much bigger effect.

More often than not, there is a notable chill that fills the air when CLAVVS roll-out their subversively leaning pop, it glimmers with a deliciously dark intent yet is clear it existentially bares an otherworldly sub-context seeping from its synth pumped veins.

By far CLAVVS are entering into a cross-wind domain of reality bordering the fringes of fantasy, which makes for a hypnotically sensualized experience in the long run. Even as they embed their emotively heartfelt, inclined electronic pop unto a soundboard of shadowy appeal. We can’t default them seeking a momentary lapse hereby, allowing the rays of sun to filter through a little, imparting a whole new episode of electronic embracement.

Caught on the cusp of nocturnal piqued dancefloor vibes feat ethereally spacey vox, latest cut “Spectre” gives the duo their most entrancing offering to date.

Impeccably turned out electronica such as this, can only fuel a far reaching fascination of the spellbinding and fantastical umbrella of electronic pop presence that rains down on us from CLAVVS here